The Lying Game centers on Emma (Alexandra Chando), a well-meaning teen
who's been bounced around the foster system her whole life and is
overjoyed to discover that she has a long-lost twin sister, Sutton
(Chando again). Despite having an idyllic life with her wealthy adoptive
family, Sutton's angry with her parents for what she sees as their
deception over the details of her adoption, and she sets out to locate
the girls' birth mother. At her sister's urging, Emma agrees to swap
identities for a few days while Sutton tracks a lead, but when she
doesn't turn up at their arranged meeting place, Emma's stuck keeping up
the charade. She's unsure how long she can fool Sutton's parents and
friends, and she fears that doing so will keep her from discovering the
truth about her biological family.
Dramatic and suspenseful, The Lying Game
is based on a series of novels of by Sara Shepard, who also penned the
best-selling books that inspired another ABC Family teen drama, Pretty Little Liars.
Once again, Shepard's multi-dimensional characters translate well to
the small screen, enticing viewers with their scintillating secrets and
unpredictable motives. If you look a little deeper, you'll even find a
few examples of warm relationships, like those of Sutton's parents and
the one that her sister, Laurel (Allie Gonino), strives to have with
Sutton's stand-in, Emma.
Because the show is geared toward teens, you can expect the requisite romance, betrayal, and cattiness of a "normal" TV teen's life. But the content feels a little exaggerated (and thus its silliness is exposed), since down-to-earth Emma usually observes, rather than partakes in, the unbecoming behavior. And the good news is that the content is fairly mild for the teen set, with minimal violence and marginal language ("hell" and "ass," mostly), and only kissing and some physical contact within relationships. That said, the chilling suspense and pending sense of danger require a certain sturdiness from viewers.
Because the show is geared toward teens, you can expect the requisite romance, betrayal, and cattiness of a "normal" TV teen's life. But the content feels a little exaggerated (and thus its silliness is exposed), since down-to-earth Emma usually observes, rather than partakes in, the unbecoming behavior. And the good news is that the content is fairly mild for the teen set, with minimal violence and marginal language ("hell" and "ass," mostly), and only kissing and some physical contact within relationships. That said, the chilling suspense and pending sense of danger require a certain sturdiness from viewers.
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